A Companion to Spanish Surrealism (MonografĂas A)
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'I, Salvador DalĂ, come from Spain, which is the most irrational and most mystical country in the world.' Dali's implicit suggestion that Spaniards make good surrealists is fully borne out by Robert Havard'sCompanion. Chapters consider major figures such as GarcĂa Lorca, Salvador DalĂ, Luis Buñuel, Rafael Alberti, Vicente Aleixandre, LuisCernuda, Joan MirĂł and GĂłmez de la Serna; other less mainstream figuresare gathered into surveys of work in particular genres. The intention is to represent the broad evolution of Surrealism, from the early Freudian preoccupation with the unconscious to the Hegelian metaphysics of 'the surrealist object', and finally to the politics of Marxist materialism. The introduction focuses on salient features of Surrealism in Spain, and considers the value of its contribution both in terms of its adherence to French theory and as a distinctive cultural phenomenon.Contributors/contribuyen: DAWN ADES, ANDREW ANDERSON, GWYNNE EDWARDS, HAIM FINKELSTEIN, BOB GURNEY, DEREK HARRIS, ROBERT HAVARD, ALAN HOYLE, PATRICIA McDERMOTT, MARIA T. PAO, JACQUELINE RATTRAY, JAMES VALENDER, JASON WILSON 'Yo, Salvador DalĂ, soy de España, el paĂs más irracional y más mĂstico del mundo'. Bien pudiera haber añadido DalĂ que los españoles son surrealistas por naturaleza, lo cual se expresa de forma preclara en este Companion editado por Robert Havard. Los capĂtulos comentan las figuras de mayor trascendencia del surrealismo español, como GarcĂa Lorca, Luis Buñuel, Rafael Alberti, Vicente Aleixandre, Luis Cernuda, Joán MirĂł, GĂłmez de la Serna y el mismo DalĂ. Otros de menor alcance se agrupan en estudios especĂficos segĂşn los gĂ©neros. El Ă©nfasis recae siempre sobre lo que es distintivo y original en el pensamiento o en la tĂ©cnica del autor dado, y siempre con el propĂłsito de representar la evoluciĂłn más amplia del Surrealismo en España: desde la temprana preocupaciĂłn freudiana con el inconsciente, pasando por la metafĂsica hegeliana del 'objeto surrealista', hasta llegar a la polĂtica marxista del materialismo. La introducciĂłn hace hincapiĂ© en los rasgos más destacados del Surrealismo en España y trata de evaluar su contribuciĂłn tanto en lo que respecta a su adhesiĂłn a las teorĂas francesas como, asimismo, en el sentido de tratarse de, o ser juzgado como, un fenĂłmeno cultural distinto en su sus propios tĂ©rminos.
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